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The Complete Dracula, by Leah Moore, John Reppion
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If you thought you knew the complete story of Dracula, prepare yourself for a never-before-seen tale that is completely faithful to Bram Stoker's original vision! Authors Leah Moore and John Reppion, joined by atmospheric painter Colton Worley, present the iconic masterpiece of gothic horror for the first time with its original beginning and ending, restored after 112 years to include the opening chapter, "Dracula's Guest," and revealing the ultimate fate of Dracula's castle. Beautiful yet terrifying, The Complete Dracula is the definitive visual interpretation of the classic work, supported by a bonus section of scholarly essays, annotations, and an original prose tale from Stoker himself!
- Sales Rank: #1497043 in Books
- Brand: Brand: Dynamite Entertainment
- Published on: 2010-02-16
- Original language: English
- Number of items: 1
- Dimensions: 10.30" h x .70" w x 6.80" l, 1.32 pounds
- Binding: Hardcover
- 208 pages
- Used Book in Good Condition
Review
“A superb work of art, combining fidelity to the original text with visuals that evoke the primal fears lurking in the novel.” - Elizabeth Miller, co-author of Bram Stoker's Notes for Dracula: A Facsimile Edition
“Arguably the most beautiful book on the stands right now. Highly recommended!” - Newsarama
“Moore, Reppion, and team... deliver the definitive adaptation of Stoker's magnum opus. An invigorating new look at a hoary old chestnut!” - Brian J. Showers, author of Literary Walking Tours of Gothic Dublin
“What emerges is a detailed, layered story that I don't feel like I've seen before. The familiar elements are present, but this comes across as almost scholarly in its intent.” - Comics Waiting Room
Most helpful customer reviews
6 of 7 people found the following review helpful.
Dracula... with pictures
By E. A Solinas
Honestly, I've been waiting years for a decent graphic-novel adaptation of Bram Stoker's "Dracula" -- and all the others I've read are silly, ultra-brief ones. "The Complete Dracula" is a smooth, brilliantly adapted piece of work that easily condenses Stoker's novel into a five-issue comic book... but the artwork swings between sublime and silly.
Real estate agent Jonathan Harker arrives in Transylvania, to arrange a London house sale to Count Dracula. But as the days go by, Harker witnesses increasingly horrific events, leading him to believe that Dracula is not actually human -- and he barely escapes with his life. His fiancee Mina arrives in Transylvania, and finds that he has been seriously ill. Meanwhile the count has vanished -- along with countless boxes filled with dirt.
And soon afterwards, strange things happen: a ship piloted by a dead man crashes on the shore, after a mysterious thing killed the crew. And Mina's pal Lucy dies of mysterious blood loss, only to come back as an undead seductress who is attacking children. Dracula has arrived in England -- then the center of the Western world -- and intends to make it his own. The only ones who can stand against him are, Mina, Jonathan, Quincy, Arthur, John, and the mysterious Van Helsing.
It can't be easy to adapt a collection of fictional letters, memos and diaries into an exciting graphic novel form, but Leah Moore and John Reppion actually manage it. Though they obviously have to do some editing work, they preserve the formal, horror-tinged flavor of Stoker's writing. The plot flows easily and smoothly, and it sticks faithfully to the original storyline of the "Dracula" novel, from the harrowing stay at Castle Dracula to an eerie snowbound confrontation with the bad guy himself.
The big problem is that the art is hit and miss... literally. Sometimes it feels like six or seven people were illustrating different pages and then putting them together like puzzle pieces -- Colton Worley's artwork is constantly flipping between the silly and the sublime.
The bad: the faces keep changing from page to page (Mina goes instantly from ingenue to witchy-looking, and Quincey de-ages about twenty years), and sometimes their poses are pretty silly (when Lucy and her mom are attacked by Dracula, their faces are unintentionally hilarious).
The good: Worley provides some exquisitely creepy moments with smooth, polished artwork (Mina slurping on Dracula's chest) and maintains the vampire's classic appearance (sort of hawklike with a mustache). And he paints many of the eerie moments in vibrant jewel tones: shimmering blues, pale violet-greys, bright orange-reds, and sharp violets.
The ugly: Dracula's tonguey expression in the last fight with the good guys.
"The Complete Dracula" is a brilliant adaptation of Stoker's novel, but has some pretty distracting, inconsistent artwork. It's definitely worth reading, but it's kind of distracting.
1 of 1 people found the following review helpful.
Dracula comes to life
By Shadow Watcher
Beautiful art and imagery, and then a wonderful comentary by Moore and Reppion.
Captures some of the best scenes perfectly, and can be quite scary.
A wonderful adaption of Dracula, that stays true to the dark heart of Bram Stoker's original.
0 of 0 people found the following review helpful.
The Complete Dracula
By Marablaise
I can't say that Dracula has ever been on of my favorite classic, but I have been thinking of re-reading the book since it has been years since I read it. But now I don't need to, since I read this faithful graphic novel instead. But i must admit that I would have preferred the book instead and I will probably try to re-read the book sometime in the future when my memory has faded a bit...
I had some problem with the font, a lot of different fonts was used some worked fine on the Ipad, some where a lot harder to read, so in the end I read part of it on the computer and part of it on my Ipad (depending on If was near a computer since I wasn't always at home)
Also the art...hmm it just didn't do the trick for me. I wasn't really overwhelmed by it.
But it the end it was a hell of a ride!
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