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One of the great Shakespearean tragedies, Macbeth is a dark and bloody drama of ambition, murder, guilt, and revenge. Prompted by the prophecies of three mysterious witches and goaded by his ambitious wife, the Scottish thane Macbeth murders Duncan, King of Scotland, in order to succeed him on the throne. This foul deed soon entangles the conscience-stricken nobleman in a web of treachery, deceit, and more murders, which ultimately spells his doom. Set amid the gloomy castles and lonely heaths of medieval Scotland, Macbeth paints a striking dramatic portrait of a man of honor and integrity destroyed by a fatal character flaw and the tortures of a guilty imagination.
A selection of the Common Core State Standards Initiative.
- Sales Rank: #27027 in Books
- Brand: Dover Publications
- Published on: 1993-12-23
- Released on: 1993-12-23
- Format: Unabridged
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x 5.25" w x .25" l, .18 pounds
- Binding: Paperback
- 96 pages
- Great product!
Review
""Macbeth" is a blast...ghoulish...beguiling...sardonic...an expression of how captivating an evening of crackling Shakespeare can be." -- Peter Marks, "The Washington Post"
"The explosive and overwhelming effect of a truck bomb...this horrific, riveting "Macbeth" ought to be seen by as many people as possible." -- Terry Teachout, "The Wall Street Journal"
From the Publisher
An exciting new edition of the complete works of Shakespeare with these features: Illustrated with photographs from New York Shakespeare Festival productions, vivid readable readable introductions for each play by noted scholar David Bevington, a lively personal foreword by Joseph Papp, an insightful essay on the play in performance, modern spelling and pronunciation, up-to-date annotated bibliographies, and convenient listing of key passages.
From the Inside Flap
Infamously known as the cursed Scottish play, Macbeth is perhaps Shakespeare's darkest tragedy. When General Macbeth is foretold by three witches that he will one day be King of Scotland, Lady Macbeth convinces him to get rid of anyone who could stand in his way including committing regicide. As Macbeth ascends to the throne through bloody murder, he becomes a tyrant consumed by fear and paranoia.
An L.A. Theatre Works full-cast performance featuring:
James Marsters as Macbeth
Joanne Whalley as Lady Macbeth
Josh Cooke as Banquo and others
JD Cullum as Macduff and Second Murderer
Dan Donohue as Ross
Jeannie Elias as Second Witch and others
Chuma Gault as Lennox and Servant
Jon Matthews as Malcolm
Alan Shearman as Angus and others
Andr Sogliuzzo as Donalbain, Third Witch and others
Kate Steele as Lady Macduff, First Witch and Apparition
Kris Tabori as Duncan and others
Directed by Martin Jarvis. Sound effects by Tony Palermo. Recorded at the Invisible Studios, West Hollywood.
Most helpful customer reviews
5 of 6 people found the following review helpful.
It can be tough at the top...
By John P. Jones III
Lies, deceit, treachery, poison, knives in the night, justified paranoia, guilt, revenge... it is all there, and more, in this classic story of how the lust for power can literally drive people crazy. It can also kill them. I first read this play of William Shakespeare as a high school reading assignment, the way the vast majority of people do. Lo’ these many years later, I’ve undertaken a project of re-reading a lot of those H.S. reading assignments, including the plays of Shakespeare, in part to determine how much I missed the first time around, which, in two short words is normally: a lot.
The play is set in Scotland. The king is Duncan. His not faithful lord, called “thane” in Scotland at the time, is Macbeth. And he has a wife who has become a symbol of all wives who relentlessly push their husbands to be “successful,” and who is normally addressed with the misnomer of “Lady.” (“That’s no lady, that’s my wife”...but I digress). As Cliff Notes will tell you, Duncan is murdered in his sleep, with those proverbial “long knives.” Macbeth skillfully diverts the blame to his body guards, who are conveniently also killed (a death man tells no tales) while also casting suspicion on Duncan’s sons, who have fled for their lives to further shores. How many times, throughout all the cultures and civilizations of the world, has this scenario basically unfolded?
Throughout many of his plays Shakespeare utilizes elements from the ancient Greek plays, such as prophecy and a “chorus” that predicts future events, often esoterically. In this play, Shakespeare uses three witches around a cauldron, stirring, and if there is one line that most people remember from the play, it is the first line of their chorus: “Double, double, toil and trouble.”
A fellow Amazon reviewer noted a quip that Shakespeare’s plays are simply quotes strung together, a humorous way of noting that many portions of the play have entered the popular, albeit intellectual portion, of our culture. For example, after the first Iraq War (yeah, I know, it is hard to say which one was the first one now), the cover to the “The Economist” featured the line: “When the hurlyburly’s done.” My first high school reading failed me, and I had no idea this was a reference to a line in Macbeth’s opening scene, with the second line being: “When the battle’s lost and won.” And is that battle lost or won? Proving the enduring relevance of Shakespeare in so many settings, later in the same scene he writes: “Her husband’s to Aleppo gone, master o’ the Tiger.” I haven’t seen “The Economist” use that line to refer to its British citizens going to fight for ISIS.
Another quote that I remembered, and life experience has proven to be so true: “Sleep that knits up the ravel’d sleeve of care.” Hum. Another quote that life experience proves true: “Lechery, sir, it provokes and unprovokes: it provokes the desire, but it takes away the performance. Therefore much drink may be said to be an equivocator with lechery: it makes him, and it mars him... makes him stand to and not stand to...” Finally, so that I literally don’t quote the entire play, another classic scene that personally resonated, due to my travels, was Lady Macbeth’s efforts to wash the blood off her hands, and she proclaims: “All the perfume of Arabia will not sweeten this little hand.”
Another excellent, still so relevant play of Shakespeare, that needs to read more than twice. 5-stars, plus.
0 of 0 people found the following review helpful.
Excellent edition for teaching R and J in middle school.
By L Wilson
My favorite inexpensive version for teaching my middle school students. I use the text and buy a few No Fear editions but I don't share those until I've taught kids how to unpack the language with scanning and paraphrasing. If I wait for awhile, almost all of my students can decode the R and J in the original language. Great edition. Highly recommended.
4 of 4 people found the following review helpful.
Great edition for academic purposes
By theuserb
I used this edition for several essays - I'd have to say it's the most helpful edition I've come across when it comes to academic work. The footnotes are helpful without being too distracting, and there are a series of critical essays in the back that hit on the biggest themes and controversies within the play.
If you have to write an essay on the play, I would definitely recommend this edition. You'll have great sources already built into the book, cutting your research time in half.
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